This week, Glenn and Daniel check out ScarJo‘s MCU swansong, and perhaps the start of an action blockbuster career for director Cate Shortland (40:17).
May contain NSFW language.
FilmWonk rating: 7 out of 10
Show notes:
[01:30] Review: Black Widow
[25:33] Spoilers: Black Widow
Listen above, or download: Black Widow (right-click, save as, or click/tap to play)
This week on the podcast, Glenn and Daniel witness the reunion of Denzel Washington with Training Day director Antoine Fuqua – as well as a return to general badassdom – in The Equalizer. This will be the second film in as many weeks we end up comparing to Taken, and this time, it may not be to the film’s advantage (28:52).
May contain NSFW language.
FilmWonk rating: 5.5 out of 10
Show notes:
Music for tonight’s episode is “Sixteen” by The Heavy, from the film’s soundtrack.
The Philadelphia diner painting we referred to is Nighthawks, by Edward Hopper.
We referred to the 2000 John Singleton film Shaft, starring Samuel L. Jackson. Check out a Showtime featurette here – gives a good sense of the film.
We discussed the slow-motion fights in the 2009 Guy Ritchie version of Sherlock Holmes – check that out here (slow-mo begins at about 1:30).
Brace yourself, because we’re about to get our CinemaSins on here. One of the various improvised weapons we see McCall use in the film is a powder-actuated nail gun – i.e. a nail gun that uses gunpowder as its mechanism of propulsion to shoot construction nails. We correctly noted that this is the equivalent of a 22-caliber bullet (in fact, in some cases, actual .22 Short cartridges – minus the bullets – are used to power the mechanism). We found several videos testing the lethality of nail guns at a distance, including one from Mythbusters, and another fairly robust (albeit windy) test from YouTuber pilgrimfarmer. While these videos definitively show that a nail gun powered by compressed air is not an effective distance weapon, we were unable to find a video that demonstrated the same limitation for a powder-actuated tool. And one consistent factor for any type of nail gun is that the safety catch prevents the gun from firing unless it is pressed against a surface – a mechanism that can be easily bypassed by the user, but doesn’t allow for the cool one-handed shooting that McCall pulls off in the film. Don’t try this at home, kids. We’re professional podcasters.
This week on the podcast, Glenn and Daniel take a leisurely stroll through a pretty well-executed genre exercise by writer/director Scott Frank (The Lookout). (41:39).
May contain NSFW language.
FilmWonk rating: 7 out of 10
Show notes:
Music for tonight’s episode is Nouela‘s cover of “Black Hole Sun“, from the film’s trailer.
Joining us for this week’s episode is Seattle artist Jason B., who will happily sell you a delightful pop-art print (or a mug) of Daniel’s mug here. Check out his other artwork and blog over at Catastrophic Shift.
The two detective characters that were name-dropped in the film were Sam Spade and Philip Marlowe (created by Raymond Chandler, whom we mistakenly mentioned instead).
We referred to a recent Cracked article about a convicted drug smuggler, now out of prison, who is now a professional speaker – that was this one, from Brian O’Dea. But we actually mixed in a detail from this article (from an anonymous writer), about how drug dealers are often not the people you expect.
We referred to the lackluster success rate of Alcoholics Anonymous – for reference, check out this NPR interview with Dr. Lance Dodes, who claims that AA’s success rate is as low as 5-10%.
Listen above, or download: A Walk Among the Tombstones(right-click, save as, or click/tap to play on a non-flash browser)
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