In this week’s podcast, in the spirit of #OscarsSoWhite, Glenn and Daniel check out Dope, an overlooked coming-of-age comedy gem with a diverse and memorable cast, then follow it with a stop-motion Charlie Kaufman flick in which all of the supporting characters literally have identical faces. Insert profound connection here. (56:16).
May contain NSFW language.
FilmWonk rating (Anomalisa): 6.5 out of 10
FilmWonk rating (Dope): 8 out of 10
[02:13] Review: Anomalisa
[21:19] Spoilers: Anomalisa
[31:14] Review: Dope
[45:44] Spoilers: Dope
Music for tonight’s episode is “Girls Just Want To Have Fun” by Cyndi Lauper, a version of which of appears in Anomalisa, and “ Can’t Bring Me Down“, written and produced by Pharrell Williams and performed by the film’s cast, from the Dope soundtrack.
I mentioned that I had only ever seen stop-motion animated sex in one previous film – that film was a rather juvenile Spanish short called Vicenta, which you can watch on Vimeo. I wouldn’t though. I didn’t mention it as a positive example.
The analysis we referred regarding Oscar-nominated performances by black actors is written by Brandon K. Thorp in the NYTimes (here).
As NYTimes summed it up on Facebook,
“Of the 10 black women ever up for best actress Oscars, all played characters in poverty. 9 were homeless or nearly so. Black men have been up for best actor Oscars only 20 times. 13 of those characters were arrested. 15 were violent.”
Listen above, or download: Anomalisa, Dope(right-click, save as, or click/tap to play on a non-flash browser)
In this week’s podcast, Glenn and Daniel fight their initial impulse to embrace yet another Hollywood love letter to the motion picture, and instead enjoy the Coen Bros‘ vigorous cinematic hate-fuck Hail, Caesar!Gene Autry and Kirk Douglas will be rolling in their graves…with laughter (33:53).
May contain NSFW language.
FilmWonk rating: 7.5 out of 10
Music for tonight’s episode is the “The Merry Widow Waltz” by Franz Lehár and “Echelon Song” by A.V. Alexandrov and Osip Kolychev, as performed by The Red Army Choir, both from the film’s soundtrack.
Glenn: Hugo was my #1 of 2011 (not 2009), and The Artist was #5 in the same year. Birdman was my #1 of 2014. Like Hollywood, it appears I’m a big ol’ sucker for movies about movies.
Cinema attendance has indeed been on the decline since the 1940s, and home televisions are largely credited with this decline. In 1930, more than 65% of the US population went to the movies every week. It dropped to around 10% in the 1960s, and has stayed at about that level since.
CORRECTION: We briefly implied that we stand with Rand. We do not. We regret the error.
CORRECTION: In the description above, we jokingly implied that Kirk Douglas is dead. He’s alive and kicking, and his son got him a bitchin’ 99th birthday gift.
Listen above, or download: Hail, Caesar!(right-click, save as, or click/tap to play on a non-flash browser)