In this week’s podcast, Glenn and Daniel flash back to Nacho Vigalondo‘s latest high-concept sci-fi bout, wherein Anne Hathaway is a drunkard in physical charge of a kaiju. Then we jump forward into Guillermo del Toro’s monster fairy tale, The Shape of Water, to see whether love can be what you wish between a woman and a fish (45:37).
May contain NSFW language.
FilmWonk rating (Colossal): 8 out of 10
FilmWonk rating (The Shape of Water): 7.5/10 (Glenn), 6/10 (Daniel)
[02:15] Review: Colossal
[07:40] Spoilers: Colossal
[18:53] Review: The Shape of Water
[31:50] Spoilers: The Shape of Water
Music for this episode is “Shake Sugaree” by Elizabeth Cotten & Brenda Evans, from the soundtrack to Colossal, and “You’ll Never Know“, as performed by Renée Fleming and arranged by Alexandre Desplat, from the soundtrack to The Shape of Water.
For our thoughts on a previous Vigalondo film, check out Glenn’s review of Extraterrestrial.
This week on the podcast, Glenn and Daniel go big and get goofy with Guillermo del Toro‘s Pacific Rim, the latest entry in the fairly saturated market of world-ending, giant-robot smashing, quasi-superhero films. Is this film big, loud, and earnest enough to set itself apart? Listen below and find out (36:29).
May contain some NSFW language.
FilmWonk rating: 7 out of 10
Burn Gorman was born in Hollywood to British parents, and moved to London when he was seven years old. Make of his accent what you will.
The music for this film was done by Ramin Djawadi, best known for composing opening title themes and original music for TV (Prison Break, Game of Thrones, and others). And a correction – we spoke on the podcast of brass and major chords, but a review of the soundtrack reminded us that Pacific Rim‘s score consisted primarily of strings – both synth/orchestral and rock-and-roll guitar. Quite rousing upon review.
Music for this episode comes from the eponymous opening track to the film’s score.
We recorded this episode prior to the film’s #3 debut at the box office…and we’re sad to say, we called it. But now seems like a good time to evoke the powerful fiscal ambiguity of Edward Jay Epstein‘s The Hollywood Economist, and say…who knows. It may be profitable eventually.
If you want to see how the sausage is made, stick around after the end music to hear a bit of starting difficulty we had with this episode.
Listen above, or download: Pacific Rim(right-click, save as, or click/tap to play on a non-flash browser)