In this week’s podcast, Glenn and Daniel return from a wander on the plains to review Hell or High Water, a new modern western from Sicario screenwriter Taylor Sheridan, featuring a very familiar Jeff Bridges landing somewhere between his own mumbly personage from True Grit, and Tommy Lee Jones in No Country For Old Men. Can this Southern crime tale do enough to differentiate itself? Tune in and find out (34:17).
Steven Michael Quezada and Dean Norris, who played Gomie and Hank respectively in Breaking Bad, are more or less the exact same age. Whoops – we might’ve been reaching a bit hard for this comparison. But Gil Birmingham‘s character definitely played a similar role to Steven Gomez in this film.
Also the same age? Chris Pine and Ben Foster. Gonna chock this one up to movie makeup and styling – Foster definitely looked older here.
Also nearly the same age? Jeff Bridges and Gil Birmingham (66 and 63 respectively). So…we really biffed it on the age-related observations in this episode.
Apologies, Glenn was getting over the sniffles during this episode – we cut what we could.
Reverse mortgages are complicated. We correctly (albeit cynically) described the one that was featured in this film, but we’d encourage you to read up on them in detail before considering this film podcast too instructive on the subject.
Listen above, or download: Hell or High Water(right-click, save as, or click/tap to play on a non-flash browser)
In this week’s podcast, Glenn and Daniel return to the Seattle International Film Festival, first to give a shout-out to the badass women of Angry Indian Goddesses, followed by some fanciful religious absurdity with The Brand New Testament. And then we conclude a trilogy of reviews that we’ve done on warrior subculture in the United States, with a deep dive on When War Comes Home, Emmy-award winning director Michael King‘s new documentary on soldiers living with PTSD and traumatic brain injury. This film divided us, both on what we think a documentary should be, and on the value of compelling human interest stories. Listen to us unpack the film below. (49:26).
Seattle area listeners:
There will be a special Flag Day screening of When War Comes Home at the Majestic Bay Theater, on Tuesday, June 14th, at 7:30PM. It will be followed by a panel discussion with several of the film’s subjects.
FilmWonk rating (The Brand New Testament): 5 out of 10
FilmWonk rating (When War Comes Home): 6/10 (Daniel), 7.5/10 (Glenn)
[00:33] Brief : Angry Indian Goddesses
[07:20] Review: The Brand New Testament
[23:06] Review: When War Comes Home
Music for this episode is a pair of tracks from the outstanding soundtrack to Angry Indian Goddesses: “Zindagi“, written and performed by Anushka Manchanda, and “Kattey“, performed by Bhanvari Devi and Hard Kaur.
We didn’t issue a rating for Angry Indian Goddesses, since we didn’t do a full review segment for it. But suffice to say, we both loved the film. Check out its Facebook page for more info on how you can see it.
If you’re wondering what the hell I was talking about with Paul Rudd‘s computer – treat yourself here.
You can check out the episode that we referenced of Rose Eveleth‘s Flash Forward podcast here – and we highly recommend it!
In this week’s podcast, Glenn and Daniel make an inauspicious start at the 2016 Seattle International Film Festival with an environmental documentary that did a rather poor job of convincing our heroes of things that they already believe. Then they hop overseas to check out the latest Italian collaboration between director Luca Guadagnino and actress Tilda Swinton. Stay tuned for spoilers, because we had vastly different reads on this film’s ending (38:37).
May contain NSFW language.
FilmWonk rating (Death By Design): 2 out of 10
FilmWonk rating (A Bigger Splash): 6 out of 10
[00:46] Review: Death By Design
[11:36] Review: A Bigger Splash
[26:25] Spoilers: A Bigger Splash
Music for this episode is the track “Emotional Rescue” by The Rolling Stones, from the soundtrack to A Bigger Splash.
Glenn was probably butchering Matthias Schoenaerts‘ name pronunciation, but he is definitely not the first to sorta mistake him for Ryan Gosling, and he regrets nothing.
This week on the podcast, Daniel engages in the as-yet-unprecedented behavior of suggesting that we review a new Marvel film, and shocks Glenn to his very core by enjoying it. Come along for the ride that proves that Marvel continues to check such basic storytelling boxes as “give them a good reason to fight” and “make us care”. Take notes, Zach Snyder – this is how a proper superhero clash is done (42:49).
May contain NSFW language.
FilmWonk rating: 7.5 out of 10
Music for this episode is the tracks “Lagos” and “Clash” from the film’s original score, written by Henry Jackman.
Our initial screening was canceled for what we describe here as “the usual reasons”. If you’re curious what we mean by this, listen to our brief rant at the beginning of Episode 35.
Bit of fictional geography: Wakanda’s location has varied in Marvel lore, but all sources seem to agree that it’s located in northeastern Africa, somewhere in the region inhabited by real-life Tanzania, Uganda, Kenya, South Sudan, and/or Ethiopia. Which is around 2,000 miles from Lagos, Nigeria (in West Africa), where the film’s opening scene takes place. In our discussion (where we got quite a bit wrong, geographically speaking), we referred to Wakanda as the fictional product of an alternate history in which an African monarchy remained untouched by European colonialism, but after recording (and consulting Wikipedia), we remembered that there is a potential real-life parallel for Wakanda, in the Ethiopian Empire (also known as Abyssinia), which successfully avoided colonization. The last Emperor, Haile Selassie I (also the founder and principal religious figure of Rastafarianism) ruled the country for 44 years until he was overthrown by a Soviet-backed communist coup in 1974.
Daniel stumped me at one point by asking whether the black panther species is native to Africa. The answer: Yes, kind of. Turns out the term refers to the melanistic (dark-pigmented) variant of a number of species in the Panthera genus. According to Wikipedia, black panthers in Asia and Africa are leopards, whereas the ones in the Americas are jaguars. Also, gibbons are apes, not monkeys. Yay knowledge!
Correction: Whoops, Don Cheadle was totally in Iron Man 3. Remember the Iron Patriot? Because we totally forgot him. He was definitely present in the final showdown as well. We regret the error.
This week on the podcast, Glenn and Daniel struggle with the overwhelming sense that they’ve seen this movie before – Jean-Marc Vallée’s Demolition is the tale of a rich, white person’s unconventional journey of grief – but well-worn territory or not, it’s quite fun (27:13).
This week on the podcast, Glenn and Daniel unwittingly produce an abundance of pull-quotes for the marketing of Zach Snyder‘s latest disposable superhero mashup. Samples for the press include, “Unrelentingly grim,” “Gal Gadot is in this movie,” and “Supes could’ve blasted his medulla oblongata”(50:38).
May contain NSFW language.
FilmWonk rating: 5.5/10 (Daniel); 3/10 (Glenn)
Music for this episode is the original 1966 Batman TV series theme song. And we end with “Kryptonite” by Three Doors Down.
In this week’s podcast, in the spirit of #OscarsSoWhite, Glenn and Daniel check out Dope, an overlooked coming-of-age comedy gem with a diverse and memorable cast, then follow it with a stop-motion Charlie Kaufman flick in which all of the supporting characters literally have identical faces. Insert profound connection here. (56:16).
May contain NSFW language.
FilmWonk rating (Anomalisa): 6.5 out of 10
FilmWonk rating (Dope): 8 out of 10
[02:13] Review: Anomalisa
[21:19] Spoilers: Anomalisa
[31:14] Review: Dope
[45:44] Spoilers: Dope
Music for tonight’s episode is “Girls Just Want To Have Fun” by Cyndi Lauper, a version of which of appears in Anomalisa, and “ Can’t Bring Me Down“, written and produced by Pharrell Williams and performed by the film’s cast, from the Dope soundtrack.
I mentioned that I had only ever seen stop-motion animated sex in one previous film – that film was a rather juvenile Spanish short called Vicenta, which you can watch on Vimeo. I wouldn’t though. I didn’t mention it as a positive example.
The analysis we referred regarding Oscar-nominated performances by black actors is written by Brandon K. Thorp in the NYTimes (here).
As NYTimes summed it up on Facebook,
“Of the 10 black women ever up for best actress Oscars, all played characters in poverty. 9 were homeless or nearly so. Black men have been up for best actor Oscars only 20 times. 13 of those characters were arrested. 15 were violent.”
Listen above, or download: Anomalisa, Dope(right-click, save as, or click/tap to play on a non-flash browser)