In this week’s podcast, Glenn and Daniel return to the Marvel Cinematic Universe, which veers further into monsters and magic than ever before. We weigh in on wizard battles, the whitewashing controversy, and the film’s surprising appeal in 3D (38:29).
I stand by my comment that this film feels like it was made for 3D, but like all Marvel Studios films, it was shot in 2D and upconverted. Nonetheless, we still recommend seeing this one in 3D. It is far and away one of the best upconversions we’ve seen since the 2012 re-release of James Cameron‘s Titanic.
You can read the complete interview with Scott Derrickson by Jen Yamato from The Daily Beasthere.
In this week’s podcast, Glenn and Daniel return to the assembly-line horror world of Blumhouse with a prequel to a thriller about a board game. Can a franchise horror film whose upper limit of scariness is at roughly the same level as Jumanji possibly exceed our middling expectations? With a skilled director and solid cast, the answer is…well, you’ll just have to see which way the planchette moves (37:16).
May contain NSFW language.
FilmWonk rating: 5 out of 10
Music for this episode is the track “Time of the Season” by The Zombies, which appeared in the film’s trailer. But you already knew that. Come on.
Check out the episode of NPR’s Planet Money podcast all about Jason Blum and Blumhouse Productions, filtered through the lens of a specific film and director – quite an interesting look at the process that has unfolded in Hollywood horror over the past few years, with everything from Paranormal Activity to The Purge to The Visit
In this week’s podcast, Glenn and Daniel try their level best to be objective about a film and filmmaker that strive at every turn to make them otherwise, Nate Parker‘s The Birth of a Nation. All of the film’s controversy (and surprisingly frequent comparisons to the work of Mel Gibson) is fundamentally about the interplay of fact and fiction, of drama and history, with our intrepid hosts firmly entrenched on opposite sides. Can we reach an accord, or will we go to war like the Inglourious Basterds of old? Tune in and find out below (49:46).
May contain NSFW language.
FilmWonk rating: 6.5/10 (Daniel), 7.5/10 (Glenn)
Music for this episode is the track “Black Moses” by Pusha T (featuring Meek Mill & Priscilla Renea) from the film’s Inspired By soundtrack, and Nina Simone‘s 1965 version of “Strange Fruit“, which appeared in the film’s teaser trailer.
Without being able to scroll back through the film frame by frame, we can’t be completely sure, but as best we can remember (with Google’s assistance), the Bible verse briefly shown in the film (which is the closest that the film comes to suggesting that the rebellion plans to murder children) is Ezekiel 9:5-7:
And to the others he said in mine hearing, Go ye after him through the city, and smite: let not your eye spare, neither have ye pity: Slay utterly old and young, both maids, and little children, and women: but come not near any man upon whom is the mark; and begin at my sanctuary. Then they began at the ancient men which were before the house.
And he said unto them, Defile the house, and fill the courts with the slain: go ye forth. And they went forth, and slew in the city.(KJV)
CORRECTION: This one, I really feel bad about, because it wasn’t HBO’s Entourage, the horrendous guilty pleasure of my early 20s, that was responsible for the fictitious Haitian Revolution movie. It was writer/director Chris Rock, in his outstanding 2014 film Top Five (which made my Top 10 for that year). I did correctly characterize its role in that film, however – it was an example of an artsy project that nobody wanted to see.
Listen above, or download: The Birth of a Nation(right-click, save as, or click/tap to play on a non-flash browser)
In this week’s podcast, Glenn and Daniel return from a wander on the plains to review Hell or High Water, a new modern western from Sicario screenwriter Taylor Sheridan, featuring a very familiar Jeff Bridges landing somewhere between his own mumbly personage from True Grit, and Tommy Lee Jones in No Country For Old Men. Can this Southern crime tale do enough to differentiate itself? Tune in and find out (34:17).
Steven Michael Quezada and Dean Norris, who played Gomie and Hank respectively in Breaking Bad, are more or less the exact same age. Whoops – we might’ve been reaching a bit hard for this comparison. But Gil Birmingham‘s character definitely played a similar role to Steven Gomez in this film.
Also the same age? Chris Pine and Ben Foster. Gonna chock this one up to movie makeup and styling – Foster definitely looked older here.
Also nearly the same age? Jeff Bridges and Gil Birmingham (66 and 63 respectively). So…we really biffed it on the age-related observations in this episode.
Apologies, Glenn was getting over the sniffles during this episode – we cut what we could.
Reverse mortgages are complicated. We correctly (albeit cynically) described the one that was featured in this film, but we’d encourage you to read up on them in detail before considering this film podcast too instructive on the subject.
Listen above, or download: Hell or High Water(right-click, save as, or click/tap to play on a non-flash browser)
In this week’s podcast, Glenn and Daniel return to the Seattle International Film Festival, first to give a shout-out to the badass women of Angry Indian Goddesses, followed by some fanciful religious absurdity with The Brand New Testament. And then we conclude a trilogy of reviews that we’ve done on warrior subculture in the United States, with a deep dive on When War Comes Home, Emmy-award winning director Michael King‘s new documentary on soldiers living with PTSD and traumatic brain injury. This film divided us, both on what we think a documentary should be, and on the value of compelling human interest stories. Listen to us unpack the film below. (49:26).
Seattle area listeners:
There will be a special Flag Day screening of When War Comes Home at the Majestic Bay Theater, on Tuesday, June 14th, at 7:30PM. It will be followed by a panel discussion with several of the film’s subjects.
FilmWonk rating (The Brand New Testament): 5 out of 10
FilmWonk rating (When War Comes Home): 6/10 (Daniel), 7.5/10 (Glenn)
[00:33] Brief : Angry Indian Goddesses
[07:20] Review: The Brand New Testament
[23:06] Review: When War Comes Home
Music for this episode is a pair of tracks from the outstanding soundtrack to Angry Indian Goddesses: “Zindagi“, written and performed by Anushka Manchanda, and “Kattey“, performed by Bhanvari Devi and Hard Kaur.
We didn’t issue a rating for Angry Indian Goddesses, since we didn’t do a full review segment for it. But suffice to say, we both loved the film. Check out its Facebook page for more info on how you can see it.
If you’re wondering what the hell I was talking about with Paul Rudd‘s computer – treat yourself here.
You can check out the episode that we referenced of Rose Eveleth‘s Flash Forward podcast here – and we highly recommend it!
In this week’s podcast, Glenn and Daniel make an inauspicious start at the 2016 Seattle International Film Festival with an environmental documentary that did a rather poor job of convincing our heroes of things that they already believe. Then they hop overseas to check out the latest Italian collaboration between director Luca Guadagnino and actress Tilda Swinton. Stay tuned for spoilers, because we had vastly different reads on this film’s ending (38:37).
May contain NSFW language.
FilmWonk rating (Death By Design): 2 out of 10
FilmWonk rating (A Bigger Splash): 6 out of 10
[00:46] Review: Death By Design
[11:36] Review: A Bigger Splash
[26:25] Spoilers: A Bigger Splash
Music for this episode is the track “Emotional Rescue” by The Rolling Stones, from the soundtrack to A Bigger Splash.
Glenn was probably butchering Matthias Schoenaerts‘ name pronunciation, but he is definitely not the first to sorta mistake him for Ryan Gosling, and he regrets nothing.