This week on the podcast, Glenn and Daniel, along with special guest Erika Spoden, take a very special Oscar week look back at one of the Best Picture contenders we missed last year (and wecoveredseveral!), Paul Thomas Anderson’s Phantom Thread(43:04).
CORRECTION: We made a reference to the Panama Papers – we were, in fact, thinking of the Paradise Papers. We would simply ignore our misdeed and sweep this errant detail under the rug, but we don’t wish to be like the people featured in these papers.
Listen above, or download: Phantom Thread(right-click, save as, or click/tap to play on a non-flash browser)
In this week’s podcast, Glenn and Daniel didn’t even realize that these other jamokes were involved in the story of I, Tonya, which forces them to reexamine a half-remembered media narrative from when they were single-digits old. Special guest Erika Spoden ventures back in time with us, stopping off at a ’90s figure-skating scandal, and continuing with an ’80s romance in Northern Italy, with Call Me By Your Name(59:45).
May contain NSFW language.
FilmWonk rating (Call Me By Your Name): 4/10 (Daniel), 7/10 (Erika), 8/10 (Glenn)
FilmWonk rating (I, Tonya): 8/10 (Glenn), 9/10 (Daniel, Erika)
[01:54] Review: Call Me By Your Name
[11:57] Spoilers: Call Me By Your Name
[27:18] Review: I, Tonya
[39:20] Spoilers: I, Tonya
Music for this episode is “Mystery of Love” by Sufjan Stevens, from the soundtrack to Call Me By Your Name, and “Goodbye Stranger“, by Supertramp, from the soundtrack to I, Tonya.
In this week’s podcast, Glenn and Daniel, along with returning guest Erika, dive into a difficult and timely film (43:59).
Content warning: This drama depicts an illegal, predatory sexual relationship between an adult and a minor child, as well as explicit discussion of that relationship many years after it is over. Our review contains candid discussion of the film and its handling of this subject matter. Listener discretion is advised.
Music for this episode is selections from the film’s score by Jed Kerzel.
We briefly chatted about the 2005 film Hard Candy, and I described it as an entertaining thriller, but essentially a vigilante fantasy. Since this episode was recorded, actress Ellen Page (who portrayed a 14-year-old in the film, but was 17 when it was filmed) released a Facebook post describing her own experiences with sexual harassment on the set of X-Men: The Last Stand and elsewhere. It’s well worth a read.
CORRECTION: We slightly understated the grossness of Woody Allen‘s new film, A Rainy Day in New York, which features a sexual relationship between a 44-year-old actor (played by Jude Law) and a 15-year-old actress (played by 19-year-old Elle Fanning). We incorrectly gave the fictional actress’ age as 17. The release date on this one is TBD, but we’ll go ahead and say now that we do not plan to review it.
Listen above, or download: Una(right-click, save as, or click/tap to play on a non-flash browser)
In this week’s podcast, Glenn and Daniel jump back to their final selection from the Seattle Jewish Film Festival, Keep Quiet, a documentary about Csanád Szegedi, a former far-right, antisemitic political party leader in Hungary who discovers that he has a (still living) Jewish grandmother, which causes a sea change in his political and religious beliefs. Or…does it? If this film had been a great big pat on the back for tolerance and pluralism, we expect it would’ve been pretty tedious. But like The Imposter before it, this film’s definite strength is its ambiguity. Dive with us into an exploration of this fascinating figure and the skepticism that he (deservedly) faces from both his old community of nationalists and neo-Nazis, and his new community of Orthodox Jews. We’re joined once again by friend of the show, local author Erika Spoden(32:11).
May contain NSFW language.
Keep Quiet is available on Amazon Video, and we highly recommend checking it out. As this film deals in ambiguity, there will not be a separate spoilers section in our discussion. Please consider this both a recommendation and spoiler warning for the entire film.
In this week’s podcast, Glenn and Daniel check out their final two selections from the Seattle Jewish Film Festival, starting with Jessica Chastain in an untold Schindler’s List story, The Zookeeper’s Wife. And then we’re joined by a special guest, local author Erika Spoden, to discuss see who gets The Last Laugh when it comes to the Holocaust and other taboo humor subjects (including 9/11 and suicide bombings). Light, fluffy stuff, really. We promise (01:21:30).
May contain NSFW language.
FilmWonk rating (The Zookeeper’s Wife): 7 out of 10
FilmWonk rating (The Last Laugh): 4/10 (Daniel/Glenn), 7/10 (Erika)
[01:47] Review: The Zookeeper’s Wife
[26:32] Spoilers: The Zookeeper’s Wife
[46:55] Review: The Last Laugh
Music for this episode is the track “It’s Now or Never” by Elvis Presley (an English-language adaptation of O Sole Mio), which appears prominently (if a bit randomly) in The Last Laugh.
Special thanks to Erika for joining us this week – her memoir is titled Strawberries for 50 People, and it is available on Amazon Kindle.
20-year-old spoiler warning: We do discuss the ending of Roberto Benigni‘s Life is Beautiful in this episode.
We remarked upon the first film’s similarity to Schindler’s List – this led us to read up on those individuals who have been designated Righteous Among the Nations (an honorific by the State of Israel, similar to knighthood) for their work protecting Jews from persecution and death during the Holocaust. Over 26,000 individuals in 51 countries have been so designated, and their stories of heroism and sacrifice are well worth studying.
Daniel was correct – the term “genetics” dates back to the 19th century, and was coined in 1872 by an English biologist as a term for “laws of origination”. The sense of “study of heredity” comes about 20 years later, so the term had been around for over half a century by the time of this film’s events.
Correction: Oof. Glenn definitely referred to the late, great Joan Rivers as the very much alive Joan Collins at least once. Apologies to both ladies.
The two films that we discussed in the context of modern terrorism were Four Lions, from British comedian Chris Morris, and Paradise Now, from Palestinian director Hany Abu-Assad.
Joan Rivers told a Holocaust joke on the E! Channel, said a few more things on Letterman, and came back a year later to double down on Jimmy Fallon. These jokes are offensive, and we laughed at every single one of them. We repeatedly called this woman a national treasure and we stand by it.