FilmWonk Podcast – Episode #129 – “The Death of Stalin” (dir. Armando Iannucci), “Maktub”, “Keep the Change” (#SJFF2018)

In this week’s podcast, Glenn and Daniel are back for two outstanding selections from the Seattle Jewish Film Festival, and take a foray into In the Loop director Armando Iannucci‘s uniquely foul-mouthed and hilarious rendition of the demise of Stalin’s Russia. We are joined once again by special guest Erika Spoden (01:13:18).

May contain NSFW language.

The first round of the Seattle Jewish Film Festival closes today, but they will be back for one more weekend next month, April 14-15. For the complete schedule and tickets, head over to SJFF.

FilmWonk rating (Keep the Change): 8/10 (Glenn, Erika), 9/10 (Daniel)
FilmWonk rating (Maktub): 8 out of 10
FilmWonk rating (The Death of Stalin): 8/10 (Glenn), 9/10 (Daniel, Erika)

Show notes:

  • [01:45] Review: Keep the Change
  • [16:16] Spoilers: Keep the Change
  • [27:26] Review: Maktub
  • [42:37] Spoilers: Maktub
  • [51:53] Review: The Death of Stalin
  • These films didn’t have a lot to choose from, so music for this episode is the traditional Russian folk song, “Korobeiniki” and the Soviet National anthem.
  • It does appear that the earliest version of the “whoever saves a life saves the world” verse – which does indeed appear in the Quran (Surah 5:32) – comes from one of the early texts of Judaism (and apparently is a retelling of the Cain and Abel story in-context). Given that Judaism predated both Christianity and Islam, this makes chronological sense, but the origin and evolution of this phrase is expectedly complicated. Check out this article in Mosaic for more details.
  • We spoke vaguely of persecution of the Russian Orthodox Church under the USSR – none of us are particularly familiar with this period, but apparently
    Khrushchev (Stalin’s successor) stepped up this persecution as soon as he took office.

Listen above, or download: The Death of Stalin, Maktub, Keep the Change (right-click, save as, or click/tap to play on a non-flash browser)

FilmWonk Podcast – Episode #128 – “Phantom Thread” (dir. Paul Thomas Anderson)

Poster for "Phantom Thread"

This week on the podcast, Glenn and Daniel, along with special guest Erika Spoden, take a very special Oscar week look back at one of the Best Picture contenders we missed last year (and we covered several!), Paul Thomas Anderson’s Phantom Thread (43:04).

May contain NSFW language.

FilmWonk rating: 8.5 out of 10

Show notes:

  • Music for this episode is the tracks “House of Woodcock” and “For the Hungry Boy”, from the film’s original score by Jonny Greenwood.
  • CORRECTION: We made a reference to the Panama Papers – we were, in fact, thinking of the Paradise Papers. We would simply ignore our misdeed and sweep this errant detail under the rug, but we don’t wish to be like the people featured in these papers.

Listen above, or download: Phantom Thread (right-click, save as, or click/tap to play on a non-flash browser)

FilmWonk Podcast – Episode #125 – “I, Tonya” (dir. Craig Gillespie), “Call Me By Your Name” (dir. Luca Guadagnino)

In this week’s podcast, Glenn and Daniel didn’t even realize that these other jamokes were involved in the story of I, Tonya, which forces them to reexamine a half-remembered media narrative from when they were single-digits old. Special guest Erika Spoden ventures back in time with us, stopping off at a ’90s figure-skating scandal, and continuing with an ’80s romance in Northern Italy, with Call Me By Your Name (59:45).

May contain NSFW language.

FilmWonk rating (Call Me By Your Name): 4/10 (Daniel), 7/10 (Erika), 8/10 (Glenn)
FilmWonk rating (I, Tonya): 8/10 (Glenn), 9/10 (Daniel, Erika)

Show notes:

  • [01:54] Review: Call Me By Your Name
  • [11:57] Spoilers: Call Me By Your Name
  • [27:18] Review: I, Tonya
  • [39:20] Spoilers: I, Tonya
  • Music for this episode is “Mystery of Love” by Sufjan Stevens, from the soundtrack to Call Me By Your Name, and “Goodbye Stranger“, by Supertramp, from the soundtrack to I, Tonya.

Listen above, or download: I Tonya, Call Me By Your Name (right-click, save as, or click/tap to play on a non-flash browser)

FilmWonk Podcast – Episode #121 – “Una” (dir. Benedict Andrews)

Poster for "Una"

In this week’s podcast, Glenn and Daniel, along with returning guest Erika, dive into a difficult and timely film (43:59).

Content warning: This drama depicts an illegal, predatory sexual relationship between an adult and a minor child, as well as explicit discussion of that relationship many years after it is over. Our review contains candid discussion of the film and its handling of this subject matter. Listener discretion is advised.

FilmWonk rating: 8/10 (Erika), 7/10 (Daniel), 8/10 (Glenn)

Show notes:

  • Music for this episode is selections from the film’s score by Jed Kerzel.
  • We briefly chatted about the 2005 film Hard Candy, and I described it as an entertaining thriller, but essentially a vigilante fantasy. Since this episode was recorded, actress Ellen Page (who portrayed a 14-year-old in the film, but was 17 when it was filmed) released a Facebook post describing her own experiences with sexual harassment on the set of X-Men: The Last Stand and elsewhere. It’s well worth a read.
  • Also worth a read:
  • CORRECTION: We slightly understated the grossness of Woody Allen‘s new film, A Rainy Day in New York, which features a sexual relationship between a 44-year-old actor (played by Jude Law) and a 15-year-old actress (played by 19-year-old Elle Fanning). We incorrectly gave the fictional actress’ age as 17. The release date on this one is TBD, but we’ll go ahead and say now that we do not plan to review it.

Listen above, or download: Una (right-click, save as, or click/tap to play on a non-flash browser)

FilmWonk Podcast – Episode #108 – “Keep Quiet” (dir. Joseph Martin, Sam Blair) (#SJFF2017)

Poster for "Keep Quiet"

In this week’s podcast, Glenn and Daniel jump back to their final selection from the Seattle Jewish Film Festival, Keep Quiet, a documentary about Csanád Szegedi, a former far-right, antisemitic political party leader in Hungary who discovers that he has a (still living) Jewish grandmother, which causes a sea change in his political and religious beliefs. Or…does it? If this film had been a great big pat on the back for tolerance and pluralism, we expect it would’ve been pretty tedious. But like The Imposter before it, this film’s definite strength is its ambiguity. Dive with us into an exploration of this fascinating figure and the skepticism that he (deservedly) faces from both his old community of nationalists and neo-Nazis, and his new community of Orthodox Jews. We’re joined once again by friend of the show, local author Erika Spoden (32:11).

May contain NSFW language.

Keep Quiet is available on Amazon Video, and we highly recommend checking it out. As this film deals in ambiguity, there will not be a separate spoilers section in our discussion. Please consider this both a recommendation and spoiler warning for the entire film.

FilmWonk rating: 9/10 (Glenn/Daniel), 10/10 (Erika)

Show notes:

  • Music for this episode is the track “Train of Thought“, from the film’s score by Phillip Sheppard.
  • Special thanks to Erika for joining us this week – her memoir is titled Strawberries for 50 People, and it is available on Amazon Kindle.
  • Thanks as well to the Seattle Jewish Film Festival and Smarthouse Creative for helping us cover so much of the festival (for the first time) this year – we’ll definitely be back!

Listen above, or download: Keep Quiet (right-click, save as, or click/tap to play on a non-flash browser)

FilmWonk Podcast – Episode #102 – “The Zookeeper’s Wife” (dir. Niki Caro), “The Last Laugh” (dir. Ferne Pearlstein) (#SJFF2017)

Poster for "The Zookeeper's Wife"

In this week’s podcast, Glenn and Daniel check out their final two selections from the Seattle Jewish Film Festival, starting with Jessica Chastain in an untold Schindler’s List story, The Zookeeper’s Wife. And then we’re joined by a special guest, local author Erika Spoden, to discuss see who gets The Last Laugh when it comes to the Holocaust and other taboo humor subjects (including 9/11 and suicide bombings). Light, fluffy stuff, really. We promise (01:21:30).

May contain NSFW language.

Still of Mel Brooks in "The Last Laugh"

FilmWonk rating (The Zookeeper’s Wife): 7 out of 10
FilmWonk rating (The Last Laugh): 4/10 (Daniel/Glenn), 7/10 (Erika)

Show notes:

  • [01:47] Review: The Zookeeper’s Wife
  • [26:32] Spoilers: The Zookeeper’s Wife
  • [46:55] Review: The Last Laugh
  • Music for this episode is the track “It’s Now or Never” by Elvis Presley (an English-language adaptation of O Sole Mio), which appears prominently (if a bit randomly) in The Last Laugh.
  • Special thanks to Erika for joining us this week – her memoir is titled Strawberries for 50 People, and it is available on Amazon Kindle.
  • Thanks as well to the Seattle Jewish Film Festival and Smarthouse Creative for helping us cover so much of the festival (for the first time) this year – we’ll definitely be back!
  • 20-year-old spoiler warning: We do discuss the ending of Roberto Benigni‘s Life is Beautiful in this episode.
  • We remarked upon the first film’s similarity to Schindler’s List – this led us to read up on those individuals who have been designated Righteous Among the Nations (an honorific by the State of Israel, similar to knighthood) for their work protecting Jews from persecution and death during the Holocaust. Over 26,000 individuals in 51 countries have been so designated, and their stories of heroism and sacrifice are well worth studying.
  • Daniel was correct – the term “genetics” dates back to the 19th century, and was coined in 1872 by an English biologist as a term for “laws of origination”. The sense of “study of heredity” comes about 20 years later, so the term had been around for over half a century by the time of this film’s events.
  • Correction: Oof. Glenn definitely referred to the late, great Joan Rivers as the very much alive Joan Collins at least once. Apologies to both ladies.
  • The two films that we discussed in the context of modern terrorism were Four Lions, from British comedian Chris Morris, and Paradise Now, from Palestinian director Hany Abu-Assad.
  • Joan Rivers told a Holocaust joke on the E! Channel, said a few more things on Letterman, and came back a year later to double down on Jimmy Fallon. These jokes are offensive, and we laughed at every single one of them. We repeatedly called this woman a national treasure and we stand by it.

Listen above, or download: The Zookeeper’s Wife, The Last Laugh (right-click, save as, or click/tap to play on a non-flash browser)