FilmWonk Podcast – Episode #187 – “The Suicide Squad” (dir. James Gunn), “The Green Knight” (dir. David Lowery)

Poster for "The Suicide Squad" (2021 film)

This week, Glenn and Daniel gaze back into last week, when Glenn wrote 2,000 glowing words about writer/director David Lowery‘s rich, gorgeous, legendary tone poem The Green Knight, which captured both of our imaginations. And then we venture into James Gunn‘s post-Super return to R-rated comic book storytelling, in a American intervention tale straight out of the Cold War (not in a good way), which is never quite sure whether it’s doing the thing or satirizing the thing. But The Suicide Squad is a hoot-and-a-half nonetheless, and we really can’t blame the film for pretending its precursors don’t exist (1:12:15).

Still from "The Green Knight"

May contain NSFW language.

FilmWonk rating (The Green Knight): 9 out of 10
FilmWonk rating (The Suicide Squad): 7 out of 10

Show notes:

  • [02:04] Review: The Green Knight
  • [12:18] Spoilers: The Green Knight
  • [30:40] Review: The Suicide Squad
  • [52:35] Spoilers: The Suicide Squad
  • CORRECTION: In my eagerness to draw parallels between A Ghost Story and The Green Knight, I carried forward an error from my original review by stating that the films shared a 4:3 aspect ratio. This is not correct. AGS was indeed 4:3, but TGK was actually 1.85:1.
  • As promised, here is my debate with Somebody on Twitter about whether The Green Knight is “too dark” – a criticism I found legitimately baffling at the time. They clarified that this was a s pecific aversion to the use of natural lighting, which they felt was a poor fit for this specific story. I still don’t agree, but they did do a very good job of clarifying their position, and we can always use more nice, friendly interactions on Twitter.
  • [Minor spoiler] We mentioned Gawain’s “supernatural side-quest” involving a ghostly maiden who asks him to retrieve her decapitated head from the bottom of a marsh. We didn’t know at recording time that this was a representation of Saint Winifred, whose biography makes her reaction to Gawain’s vague proposition of a quid pro quo even more understandable.
  • Check out this excellent interview by Carlos Aguilar of Variety with the makeup and prosthetic team at BGFX that helped transform actor Ralph Ineson into the Green Knight.
  • The Film Twitter argument I (rather poorly) alluded to was inspired by RS Benedict‘s seminal article on the avoidant sexuality of the modern American blockbuster, “Everyone is Beautiful and No One is Horny,” as well as Caroline Siede‘s excellent write-up of the long-neglected romantic adventure film genre, “Long before Jungle Cruise, Hollywood mastered the adventure romance genre.”
  • Polka-Dot Man’s mom was played by Lynne Ashe, previously seen in I, Tonya.

Listen above, or download: The Green Knight, The Suicide Squad (right-click, save as, or click/tap to play)

FilmWonk Podcast – Episode #165 – “Birds of Prey” (dir. Cathy Yan), “Same Boat” (dir. Chris Roberti), “The Way Back” (dir. Gavin O’Connor)

Poster for "Birds of Prey"

On this week’s podcast, Glenn and Daniel venture back in time with director Chris Roberti to a time when we could all gather aboard a cruise ship and secretly shoot a romantic comedy about time-traveling assassins, with Same Boat, which hits VOD on Tuesday 4/7. We also catch up with Birds of Prey, an impressive return to the brightest and most colorful parts of the DCEU after a whole lot of grimdark, and actor Ben Affleck‘s spotty attempt to do the same, with The Way Back (01:06:21).

Still from "The Way Back"

May contain NSFW language.

FilmWonk rating (Birds of Prey): 7/10 (Glenn), 5/10 (Daniel)
FilmWonk rating (Same Boat): 7.5/10 (Glenn), 7/10 (Daniel)
FilmWonk rating (The Way Back): 4 out of 10

Show notes:

  • [02:38] Review: Birds of Prey
  • [22:46] Review: Same Boat
  • [34:13] Spoilers: Same Boat
  • [47:04] Review: The Way Back
  • There is a super-quick spoiler section at the end of the episode for The Way Back. You’ll know it when it comes.
  • Music for this episode is a song that I’ve always maintained is about time-traveling assassins, plus a Barracuda.
  • We mentioned Mick LaSalle‘s scathing review of Birds of Prey from the San Francisco Chronicle – to varying degrees, we did not agree!
  • Stay tuned at the end for an audio artifact that occurred during a break in recording that sounded suspiciously like Daniel threatening to cut off Glenn’s face.

Listen above, or download: Birds of Prey, Same Boat, The Way Back (right-click, save as, or click/tap to play on a non-flash browser)

FilmWonk Podcast – Episode #125 – “I, Tonya” (dir. Craig Gillespie), “Call Me By Your Name” (dir. Luca Guadagnino)

In this week’s podcast, Glenn and Daniel didn’t even realize that these other jamokes were involved in the story of I, Tonya, which forces them to reexamine a half-remembered media narrative from when they were single-digits old. Special guest Erika Spoden ventures back in time with us, stopping off at a ’90s figure-skating scandal, and continuing with an ’80s romance in Northern Italy, with Call Me By Your Name (59:45).

May contain NSFW language.

FilmWonk rating (Call Me By Your Name): 4/10 (Daniel), 7/10 (Erika), 8/10 (Glenn)
FilmWonk rating (I, Tonya): 8/10 (Glenn), 9/10 (Daniel, Erika)

Show notes:

  • [01:54] Review: Call Me By Your Name
  • [11:57] Spoilers: Call Me By Your Name
  • [27:18] Review: I, Tonya
  • [39:20] Spoilers: I, Tonya
  • Music for this episode is “Mystery of Love” by Sufjan Stevens, from the soundtrack to Call Me By Your Name, and “Goodbye Stranger“, by Supertramp, from the soundtrack to I, Tonya.

Listen above, or download: I Tonya, Call Me By Your Name (right-click, save as, or click/tap to play on a non-flash browser)