This week on the podcast, Glenn and Daniel struggle with the overwhelming sense that they’ve seen this movie before – Jean-Marc Vallée’s Demolition is the tale of a rich, white person’s unconventional journey of grief – but well-worn territory or not, it’s quite fun (27:13).
This week on the podcast, Glenn and Daniel tackle Alejandro González Iñárritu‘s welcome and unexpected triumph of dark comedy, Birdman. Explore a creative, single-shot world in which art imitates life imitating art, we slightly overuse the word “outstanding,” and a tour de force cast and cinematographer deliver one solid performance and well-staged scene after another (39:15).
May contain NSFW language.
FilmWonk rating: 9 out of 10
Music for tonight’s episode includes The Animals’ classic, “Don’t Let Me Be Misunderstood”. A cover of this song performed by Brent Smith appears in the film’s excellent trailer, but that version is unfortunately unavailable.
In case my non sequitur about Ed Norton’s bird-hair didn’t make sense, here’s a rundown of the random place my mind went.
In the final act of Ratatouille, the late, great Peter O’Toole delivers a monologue as the surly food critic Anton Ego. The speech – made of equal parts truth and self-indulgence – is almost an inverted “The Reason You Suck” speech, and goes as follows:
“In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so.”
Listen above, or download: Birdman(right-click, save as, or click/tap to play on a non-flash browser)