In this week’s podcast, Glenn and Daniel try their level best to be objective about a film and filmmaker that strive at every turn to make them otherwise, Nate Parker‘s The Birth of a Nation. All of the film’s controversy (and surprisingly frequent comparisons to the work of Mel Gibson) is fundamentally about the interplay of fact and fiction, of drama and history, with our intrepid hosts firmly entrenched on opposite sides. Can we reach an accord, or will we go to war like the Inglourious Basterds of old? Tune in and find out below (49:46).
May contain NSFW language.
FilmWonk rating: 6.5/10 (Daniel), 7.5/10 (Glenn)
- Music for this episode is the track “Black Moses” by Pusha T (featuring Meek Mill & Priscilla Renea) from the film’s Inspired By soundtrack, and Nina Simone‘s 1965 version of “Strange Fruit“, which appeared in the film’s teaser trailer.
- Jerusalem, Virginia was indeed a real village – it was renamed to Courtland, Virginia in 1888.
- Without being able to scroll back through the film frame by frame, we can’t be completely sure, but as best we can remember (with Google’s assistance), the Bible verse briefly shown in the film (which is the closest that the film comes to suggesting that the rebellion plans to murder children) is Ezekiel 9:5-7:
And to the others he said in mine hearing, Go ye after him through the city, and smite: let not your eye spare, neither have ye pity:
Slay utterly old and young, both maids, and little children, and women: but come not near any man upon whom is the mark; and begin at my sanctuary. Then they began at the ancient men which were before the house.
And he said unto them, Defile the house, and fill the courts with the slain: go ye forth. And they went forth, and slew in the city.(KJV)
- CORRECTION: This one, I really feel bad about, because it wasn’t HBO’s Entourage, the horrendous guilty pleasure of my early 20s, that was responsible for the fictitious Haitian Revolution movie. It was writer/director Chris Rock, in his outstanding 2014 film Top Five (which made my Top 10 for that year). I did correctly characterize its role in that film, however – it was an example of an artsy project that nobody wanted to see.
Listen above, or download: The Birth of a Nation (right-click, save as, or click/tap to play on a non-flash browser)