On this week’s podcast, Glenn and Daniel check out a very personal new film co-written by and starring Alison Brie, now available on Netflix – and we also check out Leigh Whannell and Jason Blum‘s attempt to revive the Dark Universe by replacing spectacle with an intimate and harrowing psychological drama starring Elisabeth Moss.
…then we gush about T-Swift for 5 minutes (53:00).
May contain NSFW language.
FilmWonk rating (Horse Girl): 7 out of 10 FilmWonk rating (The Invisible Man): 7.5 out of 10 FilmWonk rating (Miss Americana): 7 out of 10
Show notes:
[02:36] Review: Horse Girl
[15:19] Review: The Invisible Man
[34:00] Spoilers: The Invisible Man
[48:06] Review: Miss Americana
Music for this episode is the tracks “Horse With No Name” by America and the third title track.
On this week’s podcast, Glenn and Daniel (with special guest Erika Spoden) descend into the darkness of consummate gambler and exhausting presence Howard Ratner, played with once-per-decade skill by Adam Sandler. Then we cleanse our palates with the thoughtful and colorful delights of Greta Gerwig‘s bold new adaptation of Louisa May Alcott‘s Little Women(01:06:39).
May contain NSFW language.
FilmWonk rating (Uncut Gems): 8/10 (Erika), 9/10 (Glenn and Daniel) FilmWonk rating (Little Women): 8.5/10 (Erika and Glenn), 8/10 (Daniel)
Show notes:
[02:21] Review: Uncut Gems
[17:14] Spoilers: Uncut Gems
[38:39] Review: Little Women
Music for this episode is the track “The Stranger” by Billy Joel and “The Morning” by The Weeknd, from the soundtrack to Uncut Gems.
CORRECTION: While discussing Kevin Garnett‘s appearance in Uncut Gems, we referred to a previous casting of an NBA player in the 2015 film Trainwreck, and mistakenly said that it was Kobe Bryant playing a version of himself in that film. It was in fact LeBron James.
Listen above, or download: Little Women, Uncut Gems(right-click, save as, or click/tap to play on a non-flash browser)
On this week’s podcast, Glenn and Daniel conclude the Trilogy of Trilogies and finally figure out the answer to the question posed in the best film of the new Star Wars trilogy: What is it all for? But first, we take a gander at a ghost of Christmas past as Daniel selects his very favorite holiday film, a rom-com farce from 1945(01:16:48).
May contain NSFW language.
FilmWonk rating (Christmas in Connecticut): 10/10 (Daniel), 5/10 (Glenn) FilmWonk rating (Star Wars: The Rise of Skywalker): 6 out of 10
Show notes:
[00:21] Review: Christmas in Connecticut
[21:53] Review: Star Wars: The Rise of Skywalker
[46:46] Spoilers: Star Wars: The Rise of Skywalker
Music for this episode is a pair of tracks from John Williams‘ score to Star Wars: The Rise of Skywalker.
On this week’s podcast, Glenn and Daniel return to the Western Front with Sam Mendes‘ groundbreaking, single-shot World War I drama, 1917. And then we check out a war of a different sort with Noah Baumbach’s artful confessional about divorce, Marriage Story, now streaming on Netflix (01:22:39).
May contain NSFW language.
FilmWonk rating (1917): 7/10 (Daniel), 8/10 (Glenn) FilmWonk rating (Marriage Story): 8 out of 10
Show notes:
[02:04] Review: 1917
[21:06] Spoilers: 1917
[36:11] Review: Marriage Story
Music for this episode is a pair of tracks from the 1944 Burl Ives 78 RPM record (as digitized on the Internet Archive), The Wayfaring Stranger. The tracks are titled The Wayfaring Stranger and The Bold Soldier.
CORRECTION: In our example of the scale of warfare prior to World War I, we greatly overstated the number of casualties at the Battle of Antietam in the American Civil War – historians place the total at 22,717 dead, missing, or wounded (source).
We made frequent reference to Dan Carlin‘s World War I historical podcast, Blueprint for Armageddon. Highly recommended work from a master historical storyteller.
Listen above, or download: 1917, Marriage Story(right-click, save as, or click/tap to play on a non-flash browser)
On this week’s podcast, Glenn and Daniel (along with special guest Erika) take in a pair of surprisingly apropos titles about the lives of rich and poor families: Bong Joon-ho’s Parasite, and The Last Jedi director Rian Johnson’s Knives Out(01:34:19).
May contain NSFW language.
FilmWonk rating (Knives Out): 8.5 out of 10 FilmWonk rating (Parasite): 9/10 (Glenn, Erika), 6/10 (Daniel)
Show notes:
[00:01:59] Review: Knives Out
[00:19:57] Spoilers: Knives Out
[00:34:26] Review: Parasite
[01:00:41] Review: Parasite
Music for this episode is the track “Sundown” by Gordon Lightfoot, from the Knives Out soundtrack. And another thing.
Stay tuned at the end for a Trotskyist blooper.
Listen above, or download: Knives Out, Parasite(right-click, save as, or click/tap to play on a non-flash browser)
On this week’s podcast, Glenn and Daniel see the triumphant return of an iconic character from yesteryear, for whom fucking up motherfuckers is the game. Also, they watched Dolemite Is My Name (48:48).
May contain NSFW language.
FilmWonk rating (Terminator: Dark Fate): 6/10 (Daniel), 7.5/10 (Glenn) FilmWonk rating (Dolemite Is My Name): 8 out of 10
Show notes:
[02:04] Review: Terminator: Dark Fate
[18:29] Spoilers: Terminator: Dark Fate
[32:25] Review: Dolemite Is My Name
Music for this episode is the tracks “I’m Gonna Kill Dolemite” by Scott Bomar and “Dolemite” by Craig Robinson, from the score and soundtrack of My Name Is Dolemite.
On this week’s podcast, Glenn and Daniel check out yet another scary clown with Joker, a film that insisted we think deeply about its shallow politics and half-baked philosophy. We ponder whether death of the author is even possible when the author won’t shut his mouth, and whether a strong, dark, and gritty Joaquin Phoenix performance is enough of a selling point in a world in which You Were Never Really Here already exists.
Then we venture back to earlier in 2019 and find ourselves shocked by our unabashed praise for Rocketman, a biopic of Elton John that we refuse to call a jukebox musical. Glenn decided to make Daniel watch it this week because it’s as close to the opposite of Joker as he could muster, but also because it’s an entry in a genre that we could’ve sworn was creatively bankrupt, and we found ourselves delightfully mistaken (58:03).
May contain NSFW language.
FilmWonk rating (Joker): 4 out of 10 FilmWonk rating (Rocketman): 9 out of 10
In this week’s podcast, Glenn and Daniel conquer their worst fear: a sequel to a strong horror film with an inflated budget, indulgent runtime, and inadequate faith in its two strong ensembles (45:55).
The actress we praised for her performance in one of the haunts (and the film’s teaser trailer) was Joan Gregson as Mrs. Kersh.
When I asked Daniel to give me his score, he responded “7 out of 10.25”, and I’ll bet he didn’t think I’d take him literally, but I haven’t forgotten the last time he did something like this.
Listen above, or download: It Chapter Two(right-click, save as, or click/tap to play on a non-flash browser)
On this week’s podcast, Glenn and Daniel take a journey into the American heartland along with a Chinese glass conglomerate, and only one of our journeys ends well in one of the best documentaries of the decade, as much a case study about how two cohorts from two very different work cultures see each other, as it is metatextual reflection on the future of work in the automated and globalized world of the 21st century. You will be utterly riveted by American Factory, now streaming on Netflix. But first, we take a journey to the Outer Banks of North Carolina (as rendered in Coastal Georgia) for a sweet and heartwarming adventure film featuring a co-lead performer (Zack Gottsagen) with Down Syndrome, on the lam, pursuing his dream of being a professional wrestler (01:13:59).
May contain NSFW language.
FilmWonk rating (The Peanut Butter Falcon): 7 out of 10 FilmWonk rating (American Factory): 10 out of 10
Show notes:
[02:07] Review: The Peanut Butter Falcon
[17:47] Spoilers: The Peanut Butter Falcon
[27:32] Review: American Factory
[53:27] Spoilers: American Factory
Music for this episode is the tracks “Walk Me Home” by P!nk and “This Heartache” by The Time Jumpers, from the trailer and soundtrack for The Peanut Butter Falcon.